Transmedia artist Kryštof Brůha, whose practice lies at the intersection of material ontology and digital space, is preparing an installation for the House of Art that combines algorithmic networks, generative design, and post-industrial techniques such as machine learning, 3D printing, and CNC. In this installation, he reconstructs invisible dynamics of systems – from micro-processes of the natural environment to abstract flows of data. His kinetic objects and generative videos serve as intermedial interfaces, translating techno-ecological metamorphoses into multi-sensory compositions.
The exhibition Aeris Chronos explores air as a living archive of time, containing traces of history, environmental changes, and human activity. The installation uses data archaeology to transform environmental information into a multi-sensory experience. Abstract data from a long-term measurement of air quality in Brno, conducted by the research team of ESF MU in Brno, is translated into sensory forms, raising questions about changes in the environment, the connection between humans and technology, and invisible layers of reality. Brůha cleverly combines precise industrial materials with organic shapes, creating a contrast between the stark scientific nature of the data being studied and its poetic metaphor. The robotic elements of the installation also all
